fotografia of ursula andress with jean paul belmondo in up to his ears1965 C5JXCY for fãs of Jean-Paul Belmondo. 8 X10 Photograph of Ursula Andress and Jean-Paul Belmondo. This is an actual photograph printed recently by a lab. Please note that my ebay name only appears on the scan not the actual photo. Jean-Paul Belmondo Quotes. facebook; twitter; googleplus; Charm is the ability to make others forget that you look as you do. Ursula Andress Actress. Jean Gabin Ursula Andress et Jean-Paul Belmondo à Paris. Circa 1970. Get premium, high resolution news photos at Getty Images Download stock image by Dec. 12, 1966 - Swiss actress Ursula Andress is now in Rome, accompanied by Jean Paul Belmondo - Ursula Andress and jean Paul Balmondo walking - Fine art stock images and historic photos from Bridgeman Images. Ursula Andress and Jean-Paul Belmondo in Up to His Ears (1965) People Ursula Andress, Jean-Paul Belmondo. Titles Up to His Ears. Countries Hungary. Languages Hungarian . 19h00 , le 18 septembre 2021 Elle écrit qu'ils formaient le "couple le plus glamour et rock'n'roll du show-business". ­Carlos Sotto Mayor fut aussi le dernier amour de Jean-Paul ­Belmondo puisque les deux amants se sont retrouvés, à l'été 2020, sous le soleil de Grasse, quarante ans après leur rencontre et un septennat de passion ponctué de quelques rôles imposés dans les productions maison — Le Marginal (1983), Joyeuses Pâques (1984) et Le Solitaire (1987). De vingt-huit ans sa cadette, la chanteuse hispano-portugaise a accepté le dernier rôle que lui offrait son amour diminué : infirmière. Ses séances d'orthophonie consistaient à lui faire prononcer ce vaillant cri de guerre : "Je suis le roi." Il arrivait même que l'As des as bombe encore le torse. Au crépuscule de la légende, cette Brésilienne d'adoption a décidé de raconter ses souvenirs dans un livre publié mercredi (Jean-Paul – Mon homme de Rio, Flammarion, 240 pages, 19 euros).Une femme avec un prénom de mecEn 1980, lorsqu'ils se rencontrent à l'Élysée Matignon, la boîte en vogue du show-business, c'est une jeune hippie qui débarque d'Ibiza pour se lancer dans la chanson. Elle n'a jamais entendu parler de Belmondo. Lui la remarque aussitôt. Au spectacle d'un Gainsbourg vomissant sur la robe bleu myosotis de Catherine Deneuve, le fauve de 47 ans préfère les courbes appétissantes de cette Lisboète de 19 ans. "Carlos? Mais c'est un prénom de garçon!"Lire aussi - L'actrice Jacqueline Bisset au JDD : "Belmondo était presque un super-héros"Effectivement, ses parents en espéraient un et elle va tout faire pour ne pas les décevoir. Carlos est une aventurière, ayant grandi en Angola et traversé le désert de Namibie après s'être échappée d'un camp de réfugiés. Familière des circuits de F1, elle va en dévoiler les coulisses à son amoureux de la vitesse : "Jean-Paul adorait que je lui raconte les petites histoires secrètes des Grands Prix : les tractations entre Walter Wolf et Lamborghini concernant les Countach, les modifications de châssis, le moteur de 5,0 litres […]. Il en redemandait…"Jaloux et compagnieDès le premier orteil qu'elle pose dans son appartement de la rue des Saints-Pères, Titi – le surnom qu'elle lui donne – la prévient : "Petite, à partir de maintenant tu ne couches plus avec personne. Et tout ce qui se passe ici reste ici!" Message reçu. Petite – le surnom qu'il lui donne – s'emploie direct à faire le ménage : elle arrache puis découpe au ciseau le corps sublime de Laura Antonelli qui tapisse les murs de l'appartement. Titi sait se montrer jaloux lui aussi."Votre monsieur il est encore plus marrant dans la vie que dans ses films"Gare aux Bee Gees qui tournent un peu trop autour de sa belle lors d'une escale aux Baléares. "Ce jour-là, j'apprends que le Magnifique ­déteste se trouver en présence de plus célèbre que lui. Il a beau être resté simple et modeste, il faut qu'il soit le chef de meute, le mâle alpha." Plus tard, elle découvrira la présence d'un mystérieux attaché-case dans la chambre à coucher. Défense d'ouvrir. Lui désobéissant pourtant, la jeune femme découvre un magnétophone : "Pendant des semaines, il m'avait mise sur écoute pour savoir si je le trompais."L'as des as de la fumetteOn le sait, Belmondo était un clown. Son attraction favorite faisait la joie des convives : en caleçon, debout sur la table. Chez Maxim's, Jean-Michel Jarre et Charlotte Rampling faisaient la claque, suivis par tout le restaurant. Sur les tournages, il était le roi de la blague potache : vider les valises de ses partenaires dans la piscine de l'hôtel, clouer leurs chaussures au plancher ou s'amuser à convier le clochard du coin à vider le minibar de la suite d'une actrice. Tout ça à aussi - Claude Lelouch au JDD : "Grâce au cinéma, Jean-Paul Belmondo est immortel"Imaginez l'animal sous psychotropes… Rencontré chez Castel, un couple propose à Titi et Petite de terminer la soirée à la maison avec un "digespliff". De la pure californienne. Bébel tire sur le joint et termine complètement stone. Il marmonne dans un sabir indéchiffrable, s'époumone sous les fenêtres de ses voisins et ne se souvient plus de rien le lendemain matin, contrairement au taxi qui l'a ramené à bon port : "Votre monsieur il est encore plus marrant dans la vie que dans ses films."Ursula Andress, une femme qui compteUn jour de fashion week, Carlos croise le passé de son Titi : Ursula Andress, compagne de l'acteur dans les années 1960, qui lui lance : "Dis bonjour à Jean-Paul et demande-lui qu'il me rende ma commode Louis XVI." De retour à la maison, elle passe le message, en se gardant bien de gommer l'adjectif "radin" des lèvres de l'ex-James Bond girl. "La réponse ne se fait pas attendre : 'Tu l'as connue où la Schleue? La prochaine fois que tu la rencontres, demande-lui qu'elle me rende mon Matisse.'" Avec Ursula Andress, les diamants ne sont pas éternels…"Après le décès de son père, Jean-Paul a été victime d'une longue dépression qu'il n'a révélée à personne"Au nom du pèreDès le début de leur relation, Belmondo présente Carlos à ses parents, qu'il vénère. Il l'emmène dans l'atelier de son père, Paul, à Montparnasse. Le sculpteur adopte aussitôt Carlos, qu'il surnomme à son tour Petite. "Jean-Paul a une passion pour ce père admirable et une admiration forcenée pour son travail. Leur complicité fait plaisir à voir."Malheureusement, le 1er janvier 1982, le sculpteur décède. Le fils blessé, "devenu patriarche à son tour, va s'employer avec succès à resserrer encore plus fort les liens familiaux". Mais il ne s'en remettra pas, écrit Carlos Sotto Mayor : "Dès qu'il revient à l'appartement, sa carapace craque. Je pense sincèrement qu'après le décès de son père, Jean-Paul a été victime d'une longue dépression qu'il n'a révélée à personne." Scomparso oggi nella sua casa parigina a 88 anni, Jean-Paul Belmondo era un’icona assoluta del cinema. E non solo francese. Protagonista di pellicole cult come Borsalino e La mia droga si chiama Julie, il leggendario Bèbel ha incarnato tutto lo spirito rivoluzionario della Nouvelle Vague. E, con la sua faccia da schiaffi e il suo fascino malandrino, ha anche conquistato donne bellissime e molto famose. Non solo sul set. Tanto per citarne due, fra gli amori nati con le colleghe, spiccano quelli con due attrici dalla straordinaria bellezza: Ursula Andress e la nostra Laura Antonelli. Stregate dalla bellezza sfrontata dell’attore ed entrambe scottate dalla fine delle rispettive liasons. Amori paparazzatissimi che hanno riempito le pagine di cronaca rosa dell’epoca. Jean-Paul Belmondo: le donne della sua vita Élodie Constantin (Photo by KEYSTONE-FRANCE/Gamma-Rapho via Getty Images) Nel 1959, prima del travolgente successo di Fino all’ultimo respiro, Belmondo sposa la danzatrice Élodie Constantin. Dall’unione nasceranno due figli: Florence e Paul, celebre corridore automobilistico, e l’attore adotta anche la prima figlia della moglie, Patricia, che morirà nel 1994 in un rogo. Le nozze naufragano nel 1965 quando nella vita di Belmondo arriva come un uragano la splendida Ursula Andress. Ursula Andress Una delle coppie più belle e paparazzate degli anni 60. Siamo nel 1965 e Bebel e la splendida Bond Girl sono sul set del film L’uomo di Hong Kong. Quando i due si incontrarono per la prima volta si ignorano, poi nasce improvviso l’amore. Inseguita ovunque, la coppia frequenta discretamente il jet-set europeo e poi, dopo sette anni d’amore, si lasciano. Per Ursula è un durissimo colpo e in tutte le interviste successive dichiarerà che Belmondo è stato il più grande amore della sua vita. Edith Piaf Poco più che un pettegolezzo ma pare che fra il Passerotto della musica francese e Belmondo ci sia stato del tenero. Ad alimentare, all’epoca, il gossip fu una dichiarazione della stessa Piaf: «Esco con Delon, ma torno a casa con Belmondo». E Bèbel, in tante interviste, ha sempre mantenuto il più stretto riserbo sulla fantomatica relazione. Laura Antonelli Dopo la fine della liason con Ursula Andress, Jean-Paul Belmondo si consola presto con la nostrana Laura Antonelli. La diva di Malizia e l’attore si conoscono sul set del film Trappola per un lupo nel 1972 e il colpo di fulmine è immediato. Secondo il gossip, la prima sera dopo le riprese, lei gli chiese una sigaretta ed soffiò il fumo sul viso di lui: un chiaro segnale del suo interesse. Seguiranno nove anni di amore tormentato, continui tira e molla e copertine di giornali. Poi l’addio nel 1980, che contribuì a minare il fragile equilibrio psicologico della bellissima attrice. Quando Laura muore nel 2015, Bebel la ricorderà con parole dolcissime «Laura fu per me prima di tutto una compagna adorabile, dallo charme eccezionale. Fu anche una partner di grande qualità, che tutti apprezzavano sui set. Di lei voglio conservare solo questi meravigliosi ricordi». Natty Dopo una relazione decennale con l’attrice brasiliana Carlos Sotto Mayor, nel dicembre del 2002 Jean-Paul Belmondo sposa a Parigi la sua compagna Natty, ex ballerina e coniglietta di Playboy conosciuta nel 1989. Nel 2003 nasce l’amatissima figlia Stella ma le nozze naufragano sei anni dopo. Barbara Gandolfi Ultima compagna del divo, dal 2008 al 2012, la modella belga Barbara Gandolfi, famosa per aver partecipato in patria a Temptation Island e presenza fissa sulle copertine di Playboy. La bella Barbara però, 43 anni più giovane, non piace alla famiglia di Bebel e la stampa comincia a darle il tormento. Ricevi news e aggiornamenti sulle ultime tendenze beauty direttamente nella tua posta Fino all’accusa di frode fiscale e circonvenzione d’incapace formulata dai figli dell’attore. Così i due si sperano e Belmondo torna, a sorpresa, con l’ex compagna Carlos. iO Donna ©RIPRODUZIONE RISERVATA Jean-Paul Belmondo, who has died aged 88, was the actor who more than any other epitomised the French Nouvelle Vague. In Breathless (1960), one of the most influential films of the last six decades, the 26-year-old Belmondo played Michel Poiccard, who steals a car in Marseille, kills the policeman who follows him and hides out in Paris with his American girlfriend (Jean Seberg).What struck one immediately were the thick, sprawling lips – on to which was stuck a Gauloise – the broken nose, and the sunglasses, suit, tie and hat worn as a homage to the great US gangster prototypes, especially Humphrey Bogart. At one stage, Poiccard looks at a film poster, runs his fingers over his lips and sighs: “Bogie.”Despite the tough exterior, Belmondo gave the impression of fragility, with his pale, delicate skin and soft voice. The New York Times reviewer found him “hypnotically ugly” and “the most effective cigarette-mouther and thumb-to-lips rubber since time began”.An Italian poster for Breathless (À Bout de Souffle, 1960). Photograph: Snap/Rex/ShutterstockBecause of Belmondo’s relaxed, naturalistic acting technique, it was assumed that the dialogue had been improvised, but it was written by the film’s director, Jean-Luc Godard, who nevertheless would not allow the actor to learn his lines but cued him during takes. In the final sequence, the camera chases Belmondo as he continues to run after being shot. As he dies, he looks up at his girlfriend, smiles knowingly and says: “C’est dégueulasse!” (“It’s shitty!”).Because Belmondo projected an anti-conformist image, he was immediately dubbed “le James Dean français”, and after Paul Newman saw him in Paris in the early 1960s he commented: “Why, he’s one of us.” When Jean Gabin, from the golden age of prewar French cinema, co-starred with Belmondo, the darling of the New Wave, in Un Singe en Hiver (A Monkey in Winter) in 1962, he told him: “Kid, you’re me at 20.”There was even a wave of “Belmondism”, manifesting itself in a particular style of offhand, narcissistic behaviour. Of his joli-laid looks, Belmondo commented, “Hell, everybody knows that an ugly guy with a good line gets the chicks.” At the age of 19, he had married a dancer, Élodie Constantin. In 1966 while starring in Philippe De Broca’s Up to His Ears, he and Ursula Andress fell for each other, and Élodie, the mother of their three children, filed for a way, it is absurd that, following Breathless, Belmondo soon chose to withdraw more and more from the New Wave directors and go into commercial films with few artistic demands – vehicle thrillers, adventure movies and acrobatic comedies, in which he became repetitious and self-parodic. The actor Claude Brasseur remarked: “Despite everything, I think it’s a pity for him making popular films because he could enjoy his métier so much more. I remember at the Conservatoire he did astonishing things. Alas, now he has become a sort of stunt man de luxe.”Catherine Rouvel, Mario David and Jean-Paul Belmondo in Borsalino, an American-type gangster movie, 1970. Photograph: Paramount/AllstarWhat was most dispiriting about his career was that French audiences seemed to prefer it that way. When reproached, Belmondo replied: “My public expects a certain type of picture, and I’m not going to let them down.” Secure in his pre-eminence, producing many of his films himself, “Bebel”, as he was affectionately known in France, all but guaranteed a hit a year, few of which crossed the Channel or the Atlantic. Belmondo, who did not speak English, never made it to Hollywood, preferring to make American-type gangster movies such as Borsalino (1970), opposite Alain Delon, who shared top place in the box-office polls.“Nothing impresses him. No danger, no risk, nothing serious, nothing important, nothing explained,” said the journeyman director Henri Verneuil, with whom Belmondo made eight pictures. “He never reads a scenario ahead of time. Never thinks out his role. Never says, ‘How was I in the last scene?’ Never makes suggestions.”He was born in Paris, the grandson of an Italian workman from Piedmont who had emigrated to French Algeria. His father, Paul Belmondo, was a leading academic sculptor and a professor at the École Nationale Supérieure des Beaux Arts, and his mother, Sarah (nee Rainaud-Richard), was a painter. The rebellious Jean-Paul, whose schooldays were turbulent, studied drama at the Paris Conservatory following a brief career as an amateur boxer, and for several years performed in the classics on stage in the provinces before entering the Belmondo and Serge Reggiani in Jean-Pierre Melville’s Le Doulos (The Finger Man), 1962. Photograph: The Criterion Collection/AllstarAs Breathless was Godard’s first feature, it was assumed, by some critics, that it was also Belmondo’s. In fact, Belmondo appeared in supporting roles in nine films before his “overnight” rise to fame. One of his first roles was for Marcel Carné in Les Tricheurs (The Cheaters, 1958), and the following year his portrayal of Bernadette Lafont’s uncouth Hungarian fiance in Claude Chabrol’s À Double Tour (Web of Passion) prefigured the Breathless strong was the impact of his persona in Breathless that his restrained performances as affectionate and humane characters in Vittorio De Sica’s Two Women (1960), Peter Brook’s Moderato Cantabile (1960) and Jean-Pierre Melville’s Léon Morin, Priest (1961) came as a surprise, revealing an actor of a wider range than his subsequent filmography acknowledges. “He is the most accomplished actor of his generation,” claimed Melville. “He can play any given scene in 20 different ways, and all of them will be right.”Belmondo made two further films for Melville, both in 1963: Le Doulos (The Finger Man) and L’Aîné des Ferchaux (Magnet of Doom). In the former, he suppressed his magnetic charm in the part of a sly, safecracking stool pigeon. But it was Godard who gave him his last great role, in Pierrot le Fou (1965). Belmondo as Ferdinand, dissatisfied with Parisian life, and with his wife, sets off on a picaresque journey to the south with Marianne (Anna Karina), getting involved with her criminal activities on the was a similarity between Ferdinand and Michel Poiccard – both are on the run, both are unable to assimilate into society, and each is betrayed by the woman he loves. However, Ferdinand is a more romantic and intellectual figure, acting out an existential tragedy of the transience of love. At the end, having fatally shot Karina and her boyfriend, Belmondo paints his face blue, places sticks of dynamite around his head and lights the fuse. He has second thoughts, but it is too late. “Damn, it’s too absurd!” he says before being blown Belmondo and Ursula Andress started an affair while they were filming Up to His Ears, 1965. Photograph: United Artists/AllstarWith challenging opportunities becoming rarer and rarer after Breathless, his acceptance of roles in François Truffaut’s Mississippi Mermaid (1969) and Alain Resnais’s Stavisky (1974) reminded audiences of his qualities. In the latter, Resnais cleverly subverted Belmondo’s charm and virility, the source of his success as a popular star, to play the notorious real-life 1987 he returned to the stage to play the title role in Kean, the Dumas drama reinvented by Jean-Paul Sartre, and was an excellent Cyrano de Bergerac three years later, also appearing in Feydeau’s A Flea in Her Ear for his own theatre company at the Théâtre Marigny in Paris. One of his last films to have received an international distribution was Les Misérables (1995), Claude Lelouch’s effective updating of the Victor Hugo classic to the Nazi occupation, with Belmondo in his most challenging screen role since the 60s as an uneducated ex-boxer who befriends an intellectual Jewish 2001, Belmondo suffered a stroke, which kept him off the stage and screen until his brief return in A Man and His Dog (2008), based on De Sica’s 1952 film Umberto D. Although he had difficulty walking and speaking, he played a character with the same disabilities. However, no matter what Belmondo did, most serious film commentators would continue to see him as the young rebel who rode in on the New second marriage, to the dancer Nathalie Tardivel, ended in divorce in 2008. Their daughter, Stella, survives him, along with a daughter, Florence, and son, Paul, from his first marriage. Another daughter from his first marriage, Patricia, died in a fire in 1994. Jean-Paul Belmondo, actor, born 9 April 1933; died 6 September 2021 Editorial ImagesImagesCreativeEditorialVideoCreativeEditorialActress Ursula Andress with actor Jean-Paul Belmondo, circa 1970. Andress and Belmondo were involved in a well-publicised affair which led to Belmondo and his wife, Elodie Constantin, divorcing in 1965. (Photo by Archive Photos/Getty Images)EmbedComp Salta al contenuto Jean-Paul Belmondo e le donne: sposato due volte, tante le relazioni Dalla ballerina Elodie Constantin, passando per Ursula Andress e Laura Antonelli Ne ha sposate due, ma ne ha amate molte di più. Jean Paul Belmondo, scomparso oggi a Parigi all’età di 88 anni, è stato sposato due volte. Prima con la ballerina Elodie Constantin, sposata nel 1952, dalla quale ha avuto tre figli: Patricia (1958), deceduta nel 1994 in un incendio, Florence (1960) e Paul Alexandre (1963), famoso pilota automobilistico e proprietario di una scuderia. Un matrimonio finito nel 1966. Nel 2002 ha sposato Natty Tardivel, sua compagna da circa tredici anni e dalla quale ha divorziato sei anni dopo. Da questo matrimonio Belmondo ha avuto la sua quarta figlia, Stella (2003). Jean-Paul Belmondo, Ursula Andress e Laura Antonelli Tra le due mogli sono state tante le donne, famose e non, che Jean Paul Belmondo ha avuto al suo fianco. Lui stesso affermava: “Le donne sono al loro meglio passati i trent’anni, ma gli uomini che hanno passato i trent’anni sono troppo vecchi per capirlo”. Due nomi su tutte: Ursula Andress e Laura Antonelli. Jean Paul Belmondo aveva conosciuto Ursula Andress sul set di “L’uomo di Hong Kong”, e dopo una notte trascorsa insieme, si dice che l’attore francese decise di lasciare la moglie Elodie. Jean Paul Belmondo e Ursula Andress rimasero insieme fino al 1972. Anche con Laura Antonelli la scintilla è scoppiata su un set, nel 1972, durante le riprese di “Trappola per un lupo” di Claude Chabrol. Per la bellissima attrice italiana, scomparsa nel 2015, Belmondo lasciò Ursula Andress e si lasciò trascinare dal grande amore per Laura Antonelli. La loro storia durò fino al 1980. Negli anni ’80 Jean Paul Belmondo ebbe una relazione con l’attrice e cantante brasiliana Carlos Sotto Mayor e, recentemente, tra i due ci sarebbe stato anche un ritorno di fiamma. L’ultima compagna storica dell’attore francese è stata l’ex modella di Playboy Barbara Gandolfi, belga, di 42 anni più giovane. Il colpo di fulmine in un ristorante della Costa Azzurra: i due sono stati insieme dal 2008 al 2012. © Copyright LaPresse - Riproduzione Riservata

ursula andress jean paul belmondo